Pink Floyd - 1977-02-20 - Antwerp, Belgium (FLAC)

Pink Floyd - 1977-02-20 - Antwerp, Belgium (FLAC)

(Audience FLAC)

Live at Sportpaleis, Antwerpen, Belgium

Hoka:

http://www.hokafloyd.com/CD3/Thirteen/Thirteen.htm

The Godfatherecords G.R. 673 / 674 Trifold Cardboard Sleeve

Matrix Disc 1: G.R. 673 / 674 CD1

Matrix Disc 2: G.R. 673 / 674 CD2

Barcode: 0109201673

(P) 2011 Made In Europe

Disc 1: Time:

01. Sheep 10:23

02. Pigs On The Wing 1 1:53

03. Dogs 17:09

04. Pigs On The Wing 2 2:31

05. Pigs (Three Different Ones) 17:47

Total Time: 49:53

Disc 2: Time:

01. Shine On You Crazy Diamond (Parts 1-5) 11:21

02. Welcome To The Machine 8:38

03. Have A Cigar 5:43

04. Wish You Were Here 6:10

05. Shine On You Crazy Diamond (Parts 6-9) 18:14

06. Money 10:07

Total Time: 60:13

Notes:

This is the definitive Antwerp 1977 concert release.

If you have previosly purchased " ANIMALS IN BELGIUM " G.R 652/653) you have the recording from Paris,22 February 1977.

::: FILEFACTORY ::: FILESERVE ::: FILESONIC :::

Pink Floyd - 1977-02-22 - Paris, FR (FLAC)

Pink Floyd - 1977-02-22 - Paris, FR (FLAC)

(Audience FLAC)

Nombre: Funhouse

Editado por: Sirene - 220

Lugar: Pavillion de Paris,Paris

CD1:

01 - Sheep

02 - Pigs On The Wing pt.1

03 - Dogs

04 - Pigs On The Wing pt.2

05 - Pigs (Three Different Ones)

CD2:

01 - Shine On You Crazy Diamond pt.1 - 5

02 - Welcome To The Machine

03 - Have A Cigar

04 - Wish You Were Here

05 - Shine On You Crazy Diamond pt.6 - 9

encore:

06 - Money

::: FILESERVE (link1+link2)

::: FILESONIC (link1+link2)

::: FILEFACTORY (link1+link2)

Pink Floyd - High Time (FLAC)

Pink Floyd - High Time (FLAC)

(FM/TV sbd & pre-FM sources FLAC)

Mega-rare restored vinyl

Rome Italy 1968-05-06 
London 1969-05-12

Features "The Narrow Way" with vocals, superb sound!

compiled from

Lineage: 
LP->Echo Layal 3G->Sound Forge 6.0 ->light brushing with click and crackle removal tool -> Flac via TLH, level 6, sectors aligned and

Rome Italy 1968-05-06
01. Astronomie Domine
02. Set The Controls For The Heart Of The Sun
03. Interstellar Overdrive

London 1969-05-12:
04. Granchester Meadows (Daybreak)
05. Cymbaline (Nightmare)
06. Green Is The Colour (The Beginning/Beset By Creatures Of The Deep)
07. The Narrow Way

Notes by the uploader:
Continuing my never-to-be-quenched thirst for vinyl, here's a great offering from the European anti-CD label Sodium Haze Records. Pressed in perhaps batches of 50-100 pieces (correct me if I'm wrong there), your chances of snagging one are very limited... you'd better not blink or it will go away. Side one features three tunes from the "Rome Goes Pop! program(me): Astronomie Domine, Set The Controls For The Heart Of The Sun, and Interstellar Overdrive. The first two tracks are sourced from a VPRO-FM radio rebroadcast on 1988-04-29. The third track is an audio rip from the television broadcast on ARD TV (West Germany) from 1968-05-18. The quality is simply stunning. Side two is pre-FM sourced from the program(me) John Peel's Night Ride: Granchester Meadows (Daybreak), Cymbaline (Nightmare), Green Is The Colour (The Beginning/Beset By Creatures Of The Deep), and The Narrow Way. The last track is of mention as it contains vocals. For those of you unfamiliar with the extra titles, these tracks were performed on the road during 1969 as part of a concept piece "The Man and The Journey". The versions presented here are notable for their differences from the normal concert routine. The sequence of songs on this album are simply superb.

::: FILEFACTORY ::: FILESERVE ::: FILESONIC :::

Pink Floyd - 1968 - The Transitional Period (FLAC)

Pink Floyd - 1968 - The Transitional Period (FLAC)

(Studio FLAC)

Disc 1
The Committee Film soundtrack. Recorded at Sound Techniques StudiosChelseaLondonearly 1968: 
01 - Instrumental #01
02 - (Backwards Introduction)
03 - (Film scene)
04 - Instrumental #02
05 - (Film scene)
06 - (Film scene)
07 - Instrumental #03
08 - (Film scene)
09 - The Crazy World of Arthur Brown - 'Nightmare'
10 - (Film scene)
11 - Instrumental #04
12 - Instrumental #05
13 - Instrumental #06
14 - Instrumental #07
15 - (Film scene)
16 - Instrumental #08
17 - (Keep Smiling People)
18 - (Film scene)
19 - Instrumental #09
20 - Instrumental #10
21 - (Backwards Introduction - Reversed)

Bonus:
23 - Paul Jones, The Committee


Disc 2
Baton Rouge, ORTF 2 TV Studio, Paris, France – February 20, 1968:
01 - Astronomy Domine
02 - Flaming

First European International Pop Festival, Piper Club, Rome, Italy – May 6, 1968:
03 - Astronomy Domine
04 - interview with Roger Waters
05 - Set The Controls For The Heart Of The Sun
06 - Interstellar Overdrive

Top Gear, BBC Studios, 201 Piccadilly, London, England – June 25, 1968:
07 - The Murderotic Woman or Careful With That Axe Eugene
08 - The Massed Gadgets Of Hercules
09 - Let There Be More Light
10 - Julia Dream
11 - interview with Roger Waters

Omnibus All My Loving, BBC 1 TV, The Tabernacle, London – broadcast Sunday, November 3, 1968:
12 - Set The Controls For The Heart Of The Sun

Tous En Forme, ORTF 2 TV, Paris, France – Thursday, October 31, 1968:
13 - Let There Be More Light
14 - Flaming

Top Gear, BBC Maida Vale Studio 4, London – Monday, December 2, 1968:
15 - Point Me To The Sky
16 - Baby Blue Shuffle In D Minor
17 - The Embryo
18 - Interstellar Overdrive


Disc 3
Margiethal-Jaarbeurs, Utrecht, Holland – Saturday, December 28, 1968
01 - Astronomy Domine
02 - Careful With That Axe Eugene
03 - Interstellar Overdrive
04 - Set The Controls For The Heart Of The Sun
05 - A Saucerful Of Secrets

::: FILESERVE (link1+link2)
::: FILESONIC (link1+link2)
::: FILEFACTORY (link1+link2)

Pink Floyd - 1980-02-25/26/27 - Uniondale, NY (FLAC)

Pink Floyd - 1980-02-25/26/27 - Uniondale, NY (FLAC)

(Audience FLAC)

Tearing Down The Coliseum Wall - G.R. BOX 05

Info Hokafloyd

The Godfather Box – G.R. BOX 05
(P) 2011 Made In Europe
Including: 3 Double CDs / 12 Page Booklet / 24 Page Tour Book / Poster / Pin (Badge)
Discs Are Packaged In Tri-Fold Digipacks
Recorded Three Nights At The Nassau Coliseum, Uniondale, NY, USA

25 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA

Roger Waters
Rick Wright
Nick Mason
David Gilmour

Snowy White (guitar)
Andy Bown (bass)
Peter Wood (keyboards)
Willie Wilson (drums)

Disc 1: Time:
01. MC: Atmosphere 2:03
02. In The Flesh 2:53
03. The Thin Ice 3:09
04. Another Brick In The Wall (Pt.1) 5:06
05. The Happiest Days Of Our Lives 1:34
06. Another Brick In The Wall (Pt.2) 6:24
07. Mother 7:57
08. Goodbye Blue Sky 3:28
09. Empty Spaces 2:27
10. What Shall We Do Now? 1:55
11. Young Lust (Gilmour,Waters) 4:34
12. One Of My Turns 4:03
13. Don't Leave Me Now 4:13
14. Another Brick In The Wall (Pt.3) 1:09
15. The Last Few Bricks 5:05
16. Goodbye Cruel World 1:30

Total Time: 57:33

Disc 2: Time:
01. Hey You 5:57
02. Is There Anybody Out There? 2:43
03. Nobody Home 3:28
04. Vera 1:35
05. Bring The Boys Back Home 0:48
06. Comfortably Numb (Gilmour,Waters) 8:08
07. The Show Must Go On 2:39
08. MC: Atmosphere 2:41
09. In The Flesh? 4:38
10. Run Like Hell (Gilmour,Waters) 7:28
11. Waiting For The Worms 4:33
12. Stop 0:31
13. The Trial 6:16
14. Outside The Wall 4:23

Total Time: 55:08


************

26 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA

Roger Waters
Rick Wright
Nick Mason
David Gilmour

Snowy White (guitar)
Andy Bown (bass)
Peter Wood (keyboards)
Willie Wilson (drums)

Disc 3: Time:
01. MC: Atmosphere 0:12
02. In The Flesh 3:01
03. The Thin Ice 3:29
04. Another Brick In The Wall (Pt.1) 4:59
05. The Happiest Days Of Our Lives 1:27
06. Another Brick In The Wall (Pt.2) 6:14
07. Mother 8:12
08. Goodbye Blue Sky 3:28
09. Empty Spaces 2:42
10. What Shall We Do Now? 1:41
11. Young Lust (Gilmour,Waters) 4:57
12. One Of My Turns 3:54
13. Don't Leave Me Now 4:05
14. Another Brick In The Wall (Pt.3) 1:21
15. The Last Few Bricks 4:17
16. Goodbye Cruel World 0:54

Total Time: 54:53


Disc 2: Time:
01. Hey You 4:06
02. Is There Anybody Out There? 3:05
03. Nobody Home 3:28
04. Vera 1:39
05. Bring The Boys Back Home 1:09
06. Comfortably Numb (Gilmour,Waters) 7:55
07. The Show Must Go On 2:51
08. MC: Atmosphere 2:05
09. In The Flesh? 5:44
10. Run Like Hell (Gilmour,Waters) 6:46
11. Waiting For The Worms 4:24
12. Stop 0:31
13. The Trial 6:23
14. Outside The Wall 3:44

Total Time: 53:50

**********

27 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA


Roger Waters
Rick Wright
Nick Mason
David Gilmour

Snowy White (guitar)
Andy Bown (bass)
Peter Wood (keyboards)
Willie Wilson (drums)


Disc 1: Time:
01. MC: Atmosphere 1:41
02. In The Flesh 3:06
03. The Thin Ice 3:20
04. Another Brick In The Wall (Pt.1) 5:07
05. The Happiest Days Of Our Lives 1:43
06. Another Brick In The Wall (Pt.2) 6:15
07. Mother 7:28
08. Goodbye Blue Sky 3:58
09. Empty Spaces 2:51
10. What Shall We Do Now? 1:53
11. Young Lust (Gilmour,Waters) 4:38
12. One Of My Turns 3:59
13. Don't Leave Me Now 3:55
14. Another Brick In The Wall (Pt.3) 1:24
15. The Last Few Bricks 3:10
16. Goodbye Cruel World 1:50

Total Time: 56:18

Disc 2: Time:
01. Hey You 4:38
02. Is There Anybody Out There? 3:40
03. Nobody Home 3:31
04. Vera 1:15
05. Bring The Boys Back Home 1:24
06. Comfortably Numb (Gilmour,Waters) 7:35
07. The Show Must Go On 2:37
08. MC: Atmosphere 3:39
09. In The Flesh? 5:43
10. Run Like Hell (Gilmour,Waters) 7:02
11. Waiting For The Worms 4:46
12. Stop 0:31
13. The Trial 6:18
14. Outside The Wall 8:23

Total Time: 61:02

::: FILEFACTORY ::: FILESERVE ::: FILESONIC :::

Pink Floyd: Dark Side of the Moon, Alan Parsons; Quadraphonic Mix (REPOST)

Pink Floyd: Dark Side of the Moon, Alan Parsons; Quadraphonic Mix (REPOST)

(Studio mp3@256)

CREDIT TO ISMAEL!!!!!!!

CD1:
01 Speak To Me... Breathe [Quadrophonic Mix]
02 On The Run [Quadrophonic Mix]
03 Time [Quadrophonic Mix]
04 The Great Gig In The Sky [Quadraphonic Mix]
05 Money [Quadrophonic Mix]
06 Us And Them [Quadrophonic Mix]
07 Any Colour You Like [Quadrophonic Mix]
08 Brain Damage [Quadrophonic Mix]
09 Eclipse [Quadrophonic Mix]
10 On The Run [Rehearsal]
11 Us And Them [Part 2][Rehearsal]
12 Eclipse [Rehearsal]
13 Us And Them [Part 2][Rehearsal]
14 Brain Damage [Rehearsal]

CD2:
01 Speak To Me... Breathe [Alternate Remix]
02 On The Run [Alternate Remix]
03 Time [Alternate Remix]
04 The Great Gig In The Sky [Alternate Remix]
05 Money [Alternate Remix]
06 Us And Them [Alternate Remix]
07 Any Colour You Like [Alternate Remix]
08 Brain Damage [Alternate Remix]
09 Eclipse [Alternate Remix]
10 Money [Acoustic Demo]
11 Time [Rough Mix]
12 Brain Damage [Rough Mix]
13 Eclipse [Rough Mix]
14 Us And Them [Rough Mix]

::: FILEFACTORY ::: FILESERVE ::: FILESONIC :::

Pink Floyd - 1968-1974 - From Underground To The Moon (FLAC) links corrected

Pink Floyd - 1968-1974 - From Underground To The Moon (FLAC) links corrected

(FM brodcast FLAC)

Format: 3CD
Catalog: Digital Phono Records, Digit 3101

Xref: Brain Damage (?), In the Sky (?)
Quality: VG-Ex - THE HEDONIST

Syd Barrett
Roger Waters
David Gilmour
Rick Wright
Nick Mason


CD 1:
England 1970
1. Milky Way 3:06

BBC, 25 June 1968
2. Let There Be More Light 3:32

BBC, 12 May 69
3. The Narrow Way 4:20
4. Green Is The Colour 6:03

German TV, 30 Dec 1976 (By Adrian Maben, NOT PF; listed as "The Journey" on sleeve)
5. Portrait of Jaacov Agam 9:09

Ummagumma version
6. Astronomy Domine 8:59

Santa Monica, 1 May 70
7. Interstellar Overdrive 13:20

KQED, San Francisco, 29 April 70
8. Cymbaline 8:35
9. Grantchester Meadows 7:09

BBC, 16 July 70
10. Embryo 10:00

**************************

CD 2:
BBC, 16 July 70
1. Atom Heart Mother 24:46
2. If 4:24

Rome, 20 June 71
3. Fat Old Sun 14:09

Pompeii, 4-7 Oct 71
4. Careful With That Axe, Eugene 6:23
5. "Pompeii"/Echoes 25:57

**************************

CD 3:
Pompeii, 4-7 Oct 71
1. One Of These Days 5:20
2. A Saucerful Of Secrets 9:48
3. Set The Controls For The Heart Of The Sun 9:56
4. Mademoiselle Nobs 1:50

Wembley, 16 November 74
5. The Dark Side Of The Moon 47:21

::: FILEFACTORY ::: FILESERVE ::: FILESONIC :::

Pink Floyd - 1966-1972 - Ummagumma Revisited (FLAC)

Pink Floyd - 1966-1972 - Ummagumma Revisited (FLAC)

(FLAC)

- Roger Waters (hidden message in 'Several Species...')

DISC ONE: 
STUDIO ALBUM

01. Sysyphus Part 1 
02. Sysyphus Part 2 / 
The Violent Sequence (aka The Riot Scene, early Us & Them - from The Ultimate Zabriskie Point)
03. Sysyphus Part 3 (pitched down half a step)
Several Species of Small Furry Animals Gathered Together In A Cave (backwards)
04. Sysyphus Part 4 (1st half) / Grooving With A Pict
(vocals only)
05. Sysyphus Part 4(2nd half = part 1 reprise)
06. Oenone
(from The Ultimate Zabriskie Point)
/ Selene (aka Moonhead aka Corrosion - BBC TV 7/69 documentary on the moonlanding)
07. Dythyramb from Grantchester Meadows(ripped from KQED DVD soundtrack 71_04_28)
08. Careful with that sickle, Cronus
(aka Come In #51, Your Turn Is Up - film version for intro and end + soundtrack version 

for middle section - from The Ultimate Zabriskie Point)
09. The Narrow Way, Part 1
(unknown song - soundtrack version - from The Ultimate Zabriskie Point)
10. The Narrow Way, Part 2
11. The Narrow Way, Part 3 (69-05-12 Paris Cinema London - from BBC archives)
12. The Embryo (from Works) 
13. The Grand Vizier's Garden Party: Entrance
14. Heart Beat, Pig Meat (from The Ultimate Zabriskie Point)
15. Nick's Boogie (London 66-67) / The Grand Vizier's Garden Party: Entertainment 
16. The Grand Vizier's Garden Party: Exit
17. Biding My Time (from Relics)

TOTAL LENGTH: aprox. 78min!

DISC TWO: 
LIVE 1ST SET

101. Grantchester Meadows
Recorded live at the Fillmore West, San Francisco, USA on 70-04-29
102. Astronomy Dominé
Recorded live at the Fillmore West, San Francisco, USA on 70-04-29
103. Impro on Interstellar Overdrive and Moonhead
Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
104. Grooving With A Pict
Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
105. The Embryo + Roger Introducing The Massed Gadgets of Auximenes
Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14
106. Careful With That Axe, Eugene
Recorded live at the Hallenstadion, Zurich, Switserland on 72-12-09

TOTAL LENGHT: aprox. 60min


DISC THREE: 
LIVE 2ND SET

201. Sysyphus
Recorded live at the Town Hall, Birmingham, England on 70-02-11
202. The Narrow Way Part 1 aka Baby Blue Shuffle In D Major
Recorded in the BBC Maida Vale Studios on 68-12-02
203. The Narrow Way Part 3
Recorded live at the Royal Festival Hall, London, England on 69-04-14
204. The Pink Jungle-intro of The Labyrinth of Auximenes
Recorded live at the Royal Festival Hall, London, England on 69-04-14
205. Heart Beat, Pig Meat
Recorded live at the Town Hall, Birmingham, England on 70-02-11
206. Piano Impro
Recorded live at te Fairfield Hall, Croydon, England on 70-01-18
+ The Violent Sequence
Recorded live at the Theâtre des Champs-Elysées, Paris, France on 70-01-23
207. Biding My Time
Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21
208. Doing It
Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21
Recorded live at the Royal Festival Hall, London, England on 69-04-14

ENCORES:
209. Green Is The Colour
Recorded live at the University of Southampton, Southampton, UK on 69-05-09
210. Beset By Creatures of The Deep
Recorded live at the University of Southampton, Southampton, UK on 69-05-09
211. Biding My Time (reprise) aka Just another 12-bar
Recorded live at the Altes Casino, Montreux, Switserland on 70-11-22

TOTAL LENGHT: aprox. 65min

::: DEPOSITFILES ::: FILEFACTORY ::: UPLOADED :::

1. WHAT IS IT?
Revisiting UMMAGUMMA as if it was a band-album, including left-overs and alternate versions, plus some home-made edits. Giving it a brandnew concept. (So this could have been PF's first concept album!)

2. WHY?
The idea for this project came in mind when I considered it was a pity that "The Embryo" and "Biding my Time" were recorded for Ummagumma but left out in spite of the concept of making it a 'four-men-solo album'. My first thought was then to burn a copy of Ummagumma for myself, just including those songs at the end of the album. But then I thought: "Why not making it an extended alternate version?" Inspiration also came from Muabdib's studio remix of "The Man & The Journey" (which I recommand!) and the enhanced Wall version "Every Brick In The Wall". 
It's obvious that the original concept of Ummagumma didn't work out like the band wished it to. Quotes from the band members are clear on this subject: 

"We all believed it was going to be one of the best things we'd ever put onto record, which I think it was at that time, but the stuff on the album isn't half as good as we can play." -Rick
"For me, it was just an experiment. I think it was badly recorded, the studio side could have been done better. We're thinking of doing it again." -David 
"This was absolutely not a band album. The live stuff sounds incredibly antiquated now [...]. We were looking for new ways of constructing an album, although I think what this demonstrates is that our sum is always better than the parts." -Nick

3. WHAT HAS BEEN DONE?
Well, I took the liberty to get rid of that solo-concept, and tried to mix what Ummagumma might have been if it was a real teamwork, giving it a different concept. I don't pretend I improved it, but I wished to include left-outs, unreleased material (principally from ZP, but which fits perfectly in the spirit of Ummagumma) and alternate versions. I had plenty of material (of different quality) to choose from, for 1969 was probably their most prolific year. Therefore I used as far as possible the best sources for those alternate versions, but except for the Zabriskie Point outtakes, quality failed in most of the cases. It's a pity even the audio rip of Grantchester Meadows from the Harvested's KQED DVD is only 19OKbps, hissy and had an annoying hum in the beginning. Other sources had less hiss but much more microphone noise! I tried the best I could to erase this hum and de-hiss it a bit withoput denaturating the audio spectrum with Noise Reduction.

Another thing I permitted myself is to rename some tracks in order to give it the mythological concept I conceived for the occasion. I took inspiration by the example of Sysyphus and Oenone and gave Greek mythological references to the whole album, hence Cronus instead of Eugene, Selene (goddess of the moon) for Moonhead, and a Grand Vizier's Garden party which became an authentic Roman orgie! I recommend you to read the liner notes while listening, for I tried to make it more or less conceptual with a storyline. In contrary, I left the original titles for the live set.
The choice of including 'Careful...' is less obvious, since this is a 68 song. But, I found it a shame that only the single version was available on official sources, and no version of this tune appears on the regular albums. This december 69 take of Careful for the ZP soundtrack is radically different and much closer to what we use to hear on live roio's. The sound effects aer from the film itself, only the stereo effects for the footsteps and the riding car are mine. Other things that could be considered as 'sins' to some purists: I messed a lot with Sysyphus, integrating 'The Riot Scene' from ZP (aka The Violent Sequence, early Us & Them), 'Several Species...' backwards and the Pict rant without animal noises in it. Hence 'Several Species..' has 

disappeared from the tracklist! But figure out in case of teamwork, Roger would maybe have done the same. Moreover you can clearly hear Roger rant more or less in the same part on the live version of Sysyphus (a fact I discovered AFTER mixing the studio album!!!)
The same 'dammages' occured to Nick's piece.
Figure out Syd came to help him get this piece a little more attractive!

4. WHAT ABOUT THE LIVE SET?
The live set isn't a gathering of alternate takes of what was originally on the live set of Ummagumma, but more what it would have sounded like if the band had once played (my) Ummagumma live. So here is a REAL live Ummagumma album, assembled from the most "mythic" 

shows from 69-70 where the Floyd performed their strangest bits with an incredible energy. Especially on that night in Hamburg 70-11-14, Roger was in an incredibly talkative/rantic mood! Notice that powerful 'Embryo' including some jungle noises à la 'Several Species...' and 'Pow R. Toc H.' Alas and again, the shows featuring the rarest tracks like 'Moonhead' or 'Sysyphus' were badly recorded, and most sources are hissy, muffed, etc. The huge quality difference between the different sources I used, forced me 

to use fades between some tracks, which I don't like but was the only way to make it sound acceptable. The SQ skips are more particulary noticeable in the 'meddley' I made. 

A special note about 'The Narrow Way Part 3' though. The best recording is the one from the Amsterdam venue of 'The Man & The Journey'
. Musically, however, Dave's vocals are probably the worst he ever did in his whole life! His voice fails on all live performance of 'The Narrow Way'. That's why I choose this recording from the London premiere of 'The Man & The Journey': it's not the best source, but at least the vocals are barely audible, which is not a real loss in this case!

Pink Floyd - 1975-06-17 - Uniondale, LI (FLAC)

Pink Floyd - 1975-06-17 - Uniondale, LI (FLAC)

(Audience FLAC)

Ayanami - 105
Matrix Disc 1: No
Matrix Disc 2: No
Matrix Disc 3: No
(P) 2006 Made In Japan
Source: Audience / Master Clone

CD Reference:
New York 17.6.75, One Day Closer To Death, Nassau Day 2

Quality: EX-


Roger Waters
Rick Wright
Nick Mason
David Gilmour

Dick Parry
Carlena Williams
Venetta Fields


Disc 1: Time:
01. Raving and Drooling 14:02
02. You've got to be Crazy 14:38
03. Shine on You Crazy Diamond (1-5) 12:48
04. Have a Cigar 4:42
05. Shine on you Crazy Diamond (6-9) 12:29

Total Time: 58:39

Disc 2: Time:
01. Speak to Me 3:24
02. Breathe 2:55
03. On the Run 4:40
04. Time 6:41
05. The Great Gig In The Sky 6:40
06. Money 9:24
07. Us And Them 7:56
08. An Colour You Like 10:08
09. Brain Damage 4:12
10. Eclipse 1:53

Total Time: 57:53


Disc 3: Time:
01. Echoes (Encore) 24:30

Total Time: 24:30

Comments:
One of those rare hot summer nights for the Pink Floyd. Echoes is jazzy, even funky a bit at the beginning too. Dave laughs but doesn't screw up. Performance wise this is easily in the top 3 for 1975, and soundwise it's up there with Boston and the rest (maybe not quite L.A.). So this might just be your best bet for a good 75 show. Dark Side is well performed too. A beauty from 1975

::: DEPOSITFILES ::: FILEFACTORY ::: UPLOADED :::

Pink Floyd - 1977-06-27 - Boston, MA (FLAC)

Pink Floyd - 1977-06-27 - Boston, MA (FLAC)

(Audience FLAC)

Taper 1: Steve Hopkins
Location: FOB
Lineage : Sony ECM-99a > Sony TC-158SD > cass[master] >
DAT[?] > cdr[?] > EAC > WAV > archived in shn

Source comment: T.Mack (Yeeshkul): Almost certain this is a Master DAT clone and even if it's not, it's still damn good.
PRRP: Have a Cigar version is closer to proper speed but trails off after 18,000Hz more than this version. Both have step-wise processing artifact after 16,000Hz but Have a Cigar verion goes to zero and this version does not. This version is clipped and runs too fast but both problems were corrected.

Taper 2: Dan Lampinski
Location: Floor section CC, Row 20, Seat 4
Lineage : Two Nakamichi CM-300 Microphones > Nakamichi 550 Tape Recorder > Master Cassette > Nakamichi CR-3A cassette deck with azimuth correction > M-Audio Firewire Audiophile 2496 > CDWAV 24-bit/96-KHz wav files > Goldwave (normalizing and crossfades) > CDWAV (track breaks) > FLAC

Band:
David Gilmour - guitar, vocals
Roger Waters - bass, vocals
Richard Wright - keyboards, vocals
Nick Mason - drums, percussion
Dick Parry - saxophone
Snowy White - guitar

Set I
01 01 Sheep 11:29
01 02 Pigs On The Wing (Part 1) 1:26
01 03 Dogs 18:58
01 04 Pigs On The Wing (Part 2) 2:19
01 05 Pigs (Three Different Ones) 19:28
Total Time 53:40

Set 2
02 01 Shine On You Crazy Diamond (I-V) 13:17
02 02 Welcome To The Machine 8:34
02 03 Have A Cigar 5:06
02 04 Wish You Were Here 6:57
02 05 Shine On You Crazy Diamond (VI-IX) 22:10
02 06 Money 12:16
02 07 Us and Them 8:11
Total Time: 76:31

Remaster
1. Correct clicks, pops and tape imperfections of each source
2. Match EQ and verify pitch in each source
3. Dynamics differed between sources so channels balanced, clipping repaired.
4. Sync sources and correct speed
5. Repair missing sections using material from alternate source to complete each recording.
7 gaps repaired in Hopkins restoring 6 minutes and 41 seconds to the recording.
7 gaps repaired in Lampinski restoring 1 minute and 18 seconds to the recording.
6. Create stereo field
7. Correct phasing and center sound
8. Adjust dynamics
9. Track

::: DEPOSITFILES ::: FILEFACTORY ::: UPLOADED :::

Notes:
Limited stereo field noted in each source. This is improved by the 2-source blending process "As the Fear Grows" stated by one of the tapers at 5:15 of Sheep, Roger shouts '48' at 12:26 during 'Pigs (Three Different Ones).
In Lampinski source a strong whistle can be heard just before the beginning of Wish You Were Here. It is heard faintly in Hopkins.
Money guitar solo differs from typical performance, using interesting effects.
Roger announces "Us and Them"
Roger says "The perfect end to a perfect day" at the end of the performance

As The Fear Grows

Well, it's that time of the year again. Time to rejoice and celebrate another fruitful year in the life of the PRRP remastering group. Once more, our dedicated staff has made every possible effort to offer a good variety of exciting material to the ever growing progressive rock fan base. Over the years, the Special Anniversary Edition release has always been very special to us, its content carefully chosen to stand out from our regular programme of releases. This ninth edition of the anniversary special will be no exception to that rule. It features, for the first time in this instance, one of the most iconic bands in the history of rock music, the mighty Pink Floyd.

Pink Floyd is one of the most bootlegged bands in history, most of its tours widely documented in terms of high quality recordings, be it from radio or audience sources, and fans have been collecting these for over 40 years now. 'Most' is the key word here. Throughout these years, fans have desperately been searching for a high quality recording from the 1977 'Animals' tour. None of the shows from this tour was ever broadcast, and if Pink Floyd themselves have recorded some of them along the way, those must be surely kept under lock and key because no trace of such a recording has ever appeared anywhere, officially or not.

It is a well-known fact that this particular era in the band's life was not their favorite by far. Internal tensions were building up slowly, and although the 'Animals'album was a fine one in the end, it does however suggest that Roger Waters had already begun to take over as the main driving force behind the band. Shades of things to come. This new album was the beginning of a new phase in the band's existence, one that eventually drove Gilmour, Wright and Mason away from the Waters-driven Floyd. Even years later, when David Gilmour had resurrected the Pink Floyd name for two great albums and tours, it came as no surprise to see that none of the tracks from the 'Animals' album were ever included in the band's live sets.

Back in 1977, however, the band did embark on a long an gruelling tour to promote the album. Being the consummate perfectionists they always were, the band gave all that they had to offer fantastic and memorable live performances. Sadly, only a handful of the audience recordings that were made over the course of this turned out well, and those could only be granted a 'B' rating at best.

A short while ago, however, it was discovered that two young men from the Boston area, Dan Lampinski and Steve Hopkins, both known for the high quality of their audience recordings from the seventies, were at The Garden on June 27th, 1977, as Pink Floyd performed the 'Animals' show. Dan and Steve always used the best portable equipment available at the time, so both men achieved amazing results that night. After laying dormant for many years, these recordings were recently made available, and both received rave reviews from the fans.

Now here's the PRRP twist. Both of these recordings are truly good, separately. Each has its own merits, but is limited to a rather narrow acoustic field. Since the two tapers were sitting on opposite sides of the Garden, the PRRP sound engineer decided to combine the two recordings to try and increase the acoustic field. What you hold in your hands is the result of this meticulous and time-consuming process. This true labor of love was no waste of time by any means. The joining of the two recordings has not only widened the acoustic field, but also improved the overall sound and created a surprising stereo effect, which makes for a stunning listening experience. Only you, the fans, will be able to pass an unbiased judgment on this, but I personally believe this combined remaster to be the very best sounding 'Animals' tour recording EVER. Enjoy !

RH


Notes from the Re-Master

What a great opportunity! Two high quality audience recordings of Pink Floyd during their wonderful 1977 tour. The Dan Lampinski team has provided us with his high quality source. The Steve Hopkins source has been available in various forms for a number of years. There has been some debate regarding the best source for the Hopkins recording. A presumed, master DAT clone was available on Yeeshkul as was a version called "Have a Cigar". Both showed some signs of probable high-frequency processing but the Cigar version frequency response drops close to zero while the master clone does not. For this reason, the master clone was used for this project.

Both recordings captured the full show but a number of gaps occurred in each. The largest gap was close to 5 minutes in the Hopkins recording during Shine On You Crazy Diamond part 6-9. Mr. Hopkins may have had to hide his equipment for security personnel at that time. Of course, for each gap, only one source was available but fortunately, all gaps were staggered so they were all filled using the other source. Since this is a two source stereo remaster, during the single source, gap filled segments, there is a noticeable change in the stereo field. This is particularly true during the long Hopkins gap. For the other smaller gaps, the change is brief.

Each recording was separately remastered. During the process, non-destructive repairs were made to clicks, pops and other tape imperfections. Pitch and frequency response/EQ were then compared and matched as close as possible. The dynamics of the two recordings differed greatly so calculations were made to match average and total power for each. The two recordings were then synchronized to the exact same run time. A stereo field was then created by blending the two sources together.

The individual recordings were each high quality but both had limited stereo field characteristics on their own. By combining the recordings, the overall stereo field was greatly expanded and better reproduced the experience that must have existed in the venue that night. Phasing was corrected and routines were used to center the sound in the stereo field. The final recording was then tracked using traditional tracking points.